Sundance
Institute today announced the 12 projects selected for its annual June
Directors and Screenwriters Labs, taking place at the Sundance Resort in
Utah from June 2-26, 2009.
Under the leadership of Michelle Satter, Director of the Sundance
Feature Film Program, and the artistic direction of Gyula Gazdag, the
projects selected for this year's program include emerging filmmakers from
the United States, China, India, Morocco, Latin America, the United
Kingdom, and the Netherlands.
The core of the Feature Film Program, these
Labs provide an opportunity for filmmakers to develop distinctive new work
under the guidance of accomplished Creative Advisors in an environment that
encourages innovation, collaboration, and
risk-taking.
The projects and participants
selected for the June Directors
Lab from June 2-20 are:
·
All Fall Down/Jonathan
Wysocki (writer/director), U.S.A.
·
Beasts of the Southern
Wild/Benh Zeitlin (co-writer/director) and Lucy Alibar
(co-writer), U.S.A.
·
Goodnight Moon/Elgin James
(writer/director), U.S.A.
·
My Brother the Devil/Sally El
Hosaini (writer/director), U.K./Egypt
·
Porfirio/Alejandro
Landes (writer/director), Brazil/Ecuador
·
The Narrow Frame of
Midnight/Tala Hadid (writer/director), Morocco/U.S.A.
·
On the Ice/Andrew Okpeaha
MacLean (writer/director), U.S.A.
·
The Story of Ram/Ritesh Batra
(writer/director), U.S.A./India
These Fellows will be joined at
the June Screenwriters Lab from
June 21-26 by the following projects and
participants:
·
The American People/Keith Davis
(writer/director), U.S.A.
·
Hello, I Must Be
Going/Sarah Koskoff (writer) and Todd Louiso (director),
U.S.A.
·
Land/Jan-Willem van
Ewijk (co-writer/director) and Abdelhadi Samih (co-writer), Netherlands/Morocco
·
Little Wings/Emily Tang
(co-writer/director) and Chow Keung (co-writer), China
"We're thrilled to be supporting
such an exciting and inspired group of emerging independent artists," said
Satter. "Their work explores the richness of the human condition in
an increasingly global community, telling specific, personal stories with
humor, audacity, and grace. We're confident they will each flourish
in the creative and challenging atmosphere of the June Lab, where they will
have the opportunity to push the boundaries of their craft and do the deep
exploration needed to realize the full potential of their
material."
Over the course of the Directors
Lab, the Fellows work with an accomplished group of Creative Advisors and
professional production crews, shooting and editing key scenes from their
scripts. Through this intense,
hands-on process, the Fellows workshop text, collaborate with actors, and
find a visual language for their film in an atmosphere where
experimentation is encouraged.
Directors Lab Fellows also join in the week-long Screenwriters Lab
with four additional projects to participate in individualized story
sessions under the guidance of established screenwriters.
Gyula Gazdag returns for his 13th
year as Artistic Director of the Directors Lab. This year's other Creative Advisors include: Robert Redford, Michael Almereyda,
John August, Ronan Bennett, Walter Bernstein, Joan Darling, Caleb
Deschanel, Lisa Fruchtman, John Gatins, Michael Goldenberg, Keith Gordon,
Susannah Grant, Randa Haines, Catherine Hardwicke, Ed Harris, Etgar Keret,
Michael Lehmann, Peter Medak, Walter Mosley, Jeremy Pikser, Howard Rodman,
Susan Shilliday, Stewart Stern, Wesley Strick, Joan Tewkesbury, Tyger
Williams, Alfre Woodard, and Doug Wright.
The participants and project selected
for the 2009 June Directors Lab are:
All Fall Down/Jonathan Wysocki (writer/director), U.S.A.: When a
nine-year-old suburban boy makes the ill-fated decision to dress up as
Osama bin Laden on Halloween 2001, the fragile underpinnings of his
dysfunctional family are exposed.
After
starting his career in theatre, Southern California native Jonathan Wysocki went on to obtain
an MFA in Film Production at UCLA, where he wrote, directed and edited four
short narratives, including the award-winning films The Way Station and The Vessel Pitches. He currently teaches Film Studies
at Chapman University and is a feature programmer for the Los Angeles Film
Festival.
Beasts of the Southern
Wild/Benh Zeitlin
(co-writer/director) and Lucy Alibar (co-writer), U.S.A.: In this epic comedy, a ferocious ten-year-old girl
refuses to evacuate her home in the Louisiana Delta without her dying
father as the Southern Apocalypse descends upon
them.
Raised by two folklorists in Queens NY, Benh
Zeitlin is a director, animator, and composer for the Court
13 coterie. Director of award-winning shorts Egg, Origins of
Electricity, I Get Wet and
Glory at Sea, he currently resides in New Orleans, where he is
developing two feature films and transforming Glory at
Sea's ship, the U.S.S Jimmy Lee, into a rolling, popcorn
making movie projector cum Mardi-Gras float in preparation for carnival
2010.
Lucy Alibar was raised in
north Florida and south Georgia. Her plays have been performed at
Williamstown Theatre Festival, the Cherry Lane, and Dixon Place, as well as
theaters in Avignon, Montreal, and Johannesburg. She is a playwright
in residence at Ensemble Studio Theatre and an Affiliated Artist of New
Georges.
Goodnight Moon/Elgin James
(writer/director), U.S.A.: Amidst the stark landscape of the
Salton Sea, two 14-year-old girls test the limits of their friendship when
one follows the other in an escape to Los Angeles, only to discover that
the boredom of home may be better than learning to survive in the big
city.
As a homeless teenager, Elgin James founded a national
street gang that robbed drug dealers to give money to charity. After a life
spent torn between violence and altruism, James crawled out of the criminal
lifestyle and settled in Los Angeles. The following year, he shot a short
film version of Goodnight Moon,
which ultimately sold to THINKFilm.
My Brother the Devil/Sally El Hosaini (writer/director), United Kingdom/Egypt:
Two teenage brothers must face their prejudices head on if they are
to survive the perils of being young, Arab, British and Muslim on the
streets of gangland London, post 9/11.
Sally El Hosaini is an
Egyptian-Welsh writer/director based in London. After making award-winning
documentaries in Belgium, Yemen, and post-Saddam Iraq, she turned to
writing and directing narrative short films. Her short film The Fifth Bowl won a regional
BAFTA Award, and her latest short, Henna Night, will play the Cannes
Film Festival next month.
Porfirio/Alejandro Landes (writer/director), Brazil/Ecuador:
After years of waiting for his pension, a Colombian man confined to
a wheelchair hijacks a plane with his unwitting teenage son in an effort to
draw the attention of the President to his plight.
Alejandro Landes was born in Sao
Paulo, and holds Colombian, Ecuadorian and Brazilian citizenship. After graduating from Brown
University in 2003 and working in the television, newspaper, and film
development worlds, Landes made the feature documentary Cocalero, which premiered at the
2007 Sundance Film Festival.
The film went on to screen at 50 international film festivals and
enjoyed theatrical distribution in more than 10 countries. Landes was a Cannes Cinefondation
resident in 2009.
The Narrow Frame of Midnight/Tala Hadid
(writer/director), Morocco/U.S.A.:
From North Africa to the bleak winter landscapes of Northern France
and beyond, two refugees struggle to find their place in a world without
borders.
Born in London,
Tala Hadid splits her time
between New York and Morocco. In 2000 she was awarded a fellowship to study
film at the graduate film department at Columbia University. Her
thesis film, Tes Cheveux Noirs Ihsan, won the 2005 Cinecolor/Kodak
Prize and received a Student Academy Award. It has screened and won prizes
at numerous film festivals around the world, including the Panorama Best
Short Film Award at the Berlin Film Festival. Hadid’s work has screened
at the MOMA, the National Museum of Women in the Arts in D.C, L’Institut
du monde Arabe and the Cinémathèque
Française in Paris and the Photographer’s Gallery in
London.
On
the Ice/Andrew MacLean
(writer/director), U.S.A.: On the
snow-covered arctic tundra, at the top of the world in Barrow, Alaska, two
Iñuit teenagers try to get away with murder.
Andrew Okpeaha MacLean is an Iñupiaq
filmmaker born and raised in Alaska. As a short film, Sikumi (On the Ice) premiered at
the 2008 Sundance Film Festival where it won the Jury Prize in Short
Filmmaking and went on to many other awards at festivals around the
world. He is a recipient of a
United States Artists Rasmuson Fellowship, the John H. Johnson Film Award,
and the 2007-2008 Riese Award, among other honors. MacLean holds his MFA in film
directing from NYU.
The Story of Ram/Ritesh Batra (writer/director), U.S.A./India: A
chance encounter over the radio waves leads to an extraordinary friendship
between the Prime Minister of India and an ordinary tea vendor, which ends
up transforming a nation.
Born and raised in
Bombay, India, Ritesh Joginder
Batra is based in New York and attends the MBA/MFA dual degree program
at the Tisch School of the Arts and Stern School of Business at NYU. In
2006, he was selected for the MAISHA Film Lab, and in 2007 completed the
award-winning short film The Morning
Ritual. Batra recently worked on a feature screenplay for director
Santosh Sivan.
The participants and projects joining
the directors at the 2008 June Screenwriters Lab
are:
The American People/Keith Davis (writer/director), U.S.A.: Deep in
the heart of Alabama wiregrass country, a woman haunted by visions of the
future struggles to find hope when a shattering loss fractures her
family.
A native of Ozark, Alabama, Keith Davis received his MFA in
acting from the Yale School of Drama and is an MFA candidate at NYU’s
Graduate Film Program. As a writer/director, his short Surface of Things screened at
several festivals including Chicago International, AFI/Dallas and Palm
Springs International ShortFest. As an actor he has performed in film
and television as well as on Broadway in Julius Caesar with Denzel Washington. As an editor he has
recently completed three short projects with Spike Lee.
Hello, I Must Be Going/Sarah Koskoff (writer) and Todd Louiso (director), U.S.A.: Divorced, childless, and demoralized, Amy Minsky's
prospects look bleak when she is condemned to move back in with her parents
at the age of 40—until the unexpected attention of a bold teenage boy
changes everything.
Sarah Koskoff is a writer
living in Los Angeles. She has
also worked as an actor in film, television and theater. Hello, I Must Be Going is her first screenplay.
Todd Louiso is an actor and
director. His directorial
credits include Love, Liza with
Philip Seymour Hoffman and Kathy Bates, and The Marc Pease Experience with Jason Schwartzman and Ben
Stiller.
Land/Jan Williem van-Ewijk (co-writer/director) and Abdelhadi Samih (co-writer), Netherlands/Morocco: Lost between
the contrasting worlds of visiting European tourists in the summer and the
emptiness of his fishing village in the winter, a Moroccan windsurfer sets
out on an ocean voyage towards Europe in an effort to make sense of his
life.
Dutch filmmaker Jan-Willem van Ewijk has a Masters
Degree in Aircraft Design and worked as an investment banker before
writing, directing, producing, editing and starring in his debut feature
film Nu. (Now), which he shot
entirely with friends and family. Nu. screened at festivals around the world, including Montreal,
Seattle and Paris, where it received the Grand Jury Prize at the European
Independent Film Festival.
Abdelhadi Samih, a Moroccan
poet and playwright, has written and directed several plays for his
Safi-based theatre group WHASHM. His award winning work includes The Symphony of Masks and Verses of Madness. Abdelhadi is
president of the Safi Theatre Alliance.
Little Wings/Emily Tang (co-writer/director) and Chow Keung (co-writer), China: The murder of a teenage prostitute, recently emigrated
from China to Hong Kong, shakes the lives of her previously indifferent
family members across the border.
Born in Sichuan Provence and raised in Beijing, Emily Tang received her Master of
Arts in Drama in the Chinese National Institute of the Arts and attended
the directing program at the Central Academy of Drama, which paved the way
for her career as a director. In 2001, she directed her debut film Conjugation, which had its world
premiere at the Locarno International Film Festival. That same year, she
emigrated to Hong Kong, where she now resides.
Born in Hong Kong, Chow Keung studied anthropology,
sociology and media studies in Hong Kong and New York. Upon returning to
Hong Kong, he worked for the Hong Kong Arts Centre and Hong Kong Film
Critics Society before devoting himself full time to filmmaking. In 2003,
he co-founded Xstream Pictures with Jia Zhangke and Yu Lik-wai. He has produced 17 independent
Chinese feature films, including Still Life (winner, Golden Lion Award, 2006 Venice
International Film Festival), Useless Diao
Yinan’s Uniform (winner,
Dragons and Tigers Award, 2003 Vancouver International Film Festival) and
Emily Tang’s Perfect Life
(winner, Dragons and Tigers Award, 2008 Vancouver International Film
Festival).
Since 1981, the Sundance Institute
Feature Film Program (FFP) has supported more than 450 independent
filmmakers whose distinctive, singular work has engaged audiences
worldwide. Program staff fully embrace the unique vision of each filmmaker,
encouraging a rigorous creative process with a focus on original and deeply
personal storytelling. Each year, up to 25 emerging filmmakers from the
U.S. and around the world participate in a year-round continuum of support
which can include the Screenwriters and Directors Labs, Composers Lab,
Creative Producing Summit, ongoing creative and strategic advice,
significant production and postproduction resources, a rough-cut screening
initiative, a Screenplay Reading Series, and direct financial support
through project-specific grants and artist fellowships. In many cases, the
Institute has helped the Program’s fellows attach producers and talent,
secure financing, and assemble other significant resources to move their
projects toward production and presentation. In 2008 the FFP launched the
Creative Producing Fellowship, a year-long program for emerging independent
producers, which includes the Feature Film Creative Producing Lab, industry
mentorship and financial support.
Over
its 28 year history, the program has supported an extensive list of leading
independent filmmakers and films including Cary Fukunaga's Sin Nombre, Sophie Barthes' Cold Souls, So Yong
Kim's Treeless Mountain, Cherien
Dabis' Amreeka, Cruz Angeles and Maria
Topete's Don't Let Me Drown, Alex
Rivera's Sleep Dealer, Fernando Eimbcke's Lake
Tahoe, Ryan Fleck and Anna Boden’s Half Nelson,
Miranda July’s Me and You and Everyone We Know, Hany
Abu-Assad’s Paradise Now, Debra Granik’s Down to
the Bone, Josh Marston’s Maria Full of Grace, Peter
Sollett’s Raising Victor Vargas, John Cameron Mitchell’s
Hedwig and the Angry Inch, Darren Aronofsky’s Requiem
for a Dream, Kimberly Peirce’s Boys Don't Cry, Tony
Bui’s Three Seasons, Walter Salles’ Central
Station, Chris Eyre and Sherman Alexie’s Smoke
Signals, Paul Thomas Anderson’s Hard Eight, Tamara
Jenkins’ Slums of Beverly Hills, and Quentin Tarantino’s
Reservoir Dogs.
Sundance Institute
Founded by Robert Redford in 1981,
Sundance Institute is a not-for-profit organization that fosters the
development of original storytelling in film and theatre, and presents the
annual Sundance Film Festival. Internationally recognized for its artistic
development programs for directors, screenwriters, producers, film
composers, playwrights and theatre artists, Sundance Institute has nurtured
such projects as Angels in America, Spring
Awakening, Boys Don't Cry, Sin Nombre and Born
into Brothels. www.sundance.org.